摘要
青龙山白垩纪恐龙蛋遗址博物馆设计受现象学理论启发，建筑师挖掘遗址的场所特质并将其转化为建筑学问题，提出场所、地域气候、历史记忆、适宜技术、形式源于展示模式、用暗环境突出展品等设计原则，采用竹跳板作为混凝土外模板、将旧瓦作为第二层屋面、设置双层百叶实现通风阻光目标、将超长体量化整为零等设计手法，使得遗址博物馆与其环境紧密切合。
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